Art (ART)

ART115 Basic Design I: Two-Dimensional

Credits 4Summer/Fall/Winter/Spring

Registration Requirement: None.

This class explores the process of using art elements and organizational principles of design in inventing visual images. The course structure is built on the articulation of visual language, terminology, and a survey of creative processes. Creative and rational thinking are emphasized. Class studies in theoretical knowledge are applied in final works of art using a variety of art materials and tools.

Additional Course Fee: $20.00

ART116 Basic Design II: Color Theory

Credits 4Winter

Registration Requirement: ART115 recommended.

This class explores color theory and its applications in designing invented images. Students continue to apply art elements and organizational principles as explored in Basic Design l, adding the complexities of color theories and color harmonies. Students have the opportunity to manipulate color by using a variety of media and supports in designing final art works. Offered at irregular intervals.

Additional Course Fee: $20.00

ART117 Basic Design III: Three- Dimensional

Credits 4Spring

Registration Requirement: None.

This studio course is an introduction to the basic concepts of three-dimensional design. The class practices 3D design with projects that investigate the fundamental concepts and utilization of the formal elements such as line, point, the plane and mass. This provides the foundation to work with space, content and function pertaining to materials in real and virtual space and is an introduction to practices used in sculptural design, fashion design, environmental sustainable design, industrial design and architectural design. Using design-based materials, assigned projects help develop an understanding of sculptural and design considerations while expanding conceptual and material ability. Demonstrations, lectures and critical discussions contribute to developing a working vocabulary relating to all three-dimensional design concerns.

Additional Course Fee: $20.00

ART198A Independent Studies: Visual Arts

Credit 1Summer/Fall/Winter/Spring

Registration Requirement: Enrollment requires a written project proposal that must be approved by the instructor and dean before registration.

- maximum 3 This course is designed for individual projects for interdisciplinary or in-depth work in visual art not normally covered in an existing course. Maximum of three credits.

ART198B Independent Studies: Visual Art

Credits 2Summer/Fall/Winter/Spring

- maximum 3 This course is designed for individual projects for interdisciplinary or in-depth work in visual art not normally covered in an existing course. Maximum of three credits.

ART198C Independent Studies: Visual Art

Credits 3Summer/Fall/Winter/Spring

- maximum 3 This course is designed for individual projects for interdisciplinary or in-depth work in visual art not normally covered in an existing course. Maximum of three credits.

ART199MM Mold Making for Ceramic Slip Casting

Credits 4

Registration Requirement: RD090, WR090 and MTH020, each with a grade of "C" or better; or placement above stated course levels. Additional Course Requisites: ART255 and instructor permission. Recommended ART117.

This course is for the serious ceramics student with previous pottery/ceramics training clay-working techniques. In this special topic class, students begin to learn the possibilities and limitations of plaster molds for use in slip-casting.

Additional Course Fee: $70.00

ART204 History of Western Art: Prehistoric - Byzantine (Course offered online)

Credits 4Summer/Fall/Spring

Registration Requirement: RD090 with a grade of "C" or better; or placement above stated course level.

This course provides an introduction to Western art, from c. 8000 B.C.E. to c. 1400 C.E., covering the major cultures and empires of the ancient Western world. Studies include art and architecture from the ancient Near Eastern, Egyptian, Aegean and Etruscan cultures. This course travels through the transformative art and architecture of the ancient Greek and Roman Empires. Studies conclude by surveying evolutions of the pantheon of ancient works into early Christian and Byzantine expressions. Instruction focuses primarily on painting, sculpture and graphics, and covers selected examples of architecture to introduce key principles and centers for each period. This course is designed for non-majors as well as art majors.

ART205 History of Western Art: Medieval - Renaissance (Course offered online)

Credits 4Summer/Fall/Winter

Registration Requirement: RD090 with a grade of "C" or better; or placement above stated course level.

This course provides an introduction to Western art, from c. 500 B.C.E to c. 1600 C.E., covering major European stylistic periods. Studies include art and architecture of early Islamic and Medieval cultures, and the engineering marvels of the Romanesque and Gothic cathedrals. This course travels through the explosive Renaissance innovations in Italy and the Northern regions of Flanders, Germany and the Netherlands. Studies conclude with the interpretive forms of Mannerism, a style of art driven by modern sensibilities. Instruction focuses primarily on painting, sculpture and graphics, and covers selected examples of architecture to introduce key principles and centers for each period. This course is designed for non-majors as well as art majors.

ART206 History of Western Art: Baroque - Modern (Course offered online)

Credits 4Summer/Winter/Spring

Registration Requirement: RD090 with a grade of "C" or better; or placement above stated course levels.

This course provides an introduction to Western art, from c. 1600 C.E. to the 20th Century, covering major Western artistic periods. Studies include art and architecture of the Italian Baroque, Dutch Baroque, and French and German Rococo. This course views the land and seascapes of England along with the conservative return to classical ideals, introducing Neoclassical and Romantic styles. In addition, students will observe how modern industrial economies brought new perspectives to art leading to Realism, Impressionism and Post-Impressionism. Studies conclude with a fresh look at what is called Modern, as artists react to the horrors of two world wars, and how art becomes personal and aggressive as it confronts an ever changing world. Instruction focuses primarily on painting, sculpture and graphics, and covers selected examples of architecture to introduce key principles and centers for each period. This course is designed for non-majors as well as art majors.

ART211 Survey of Visual Arts (Course offered online) (Cultural Literacy course)

Credits 4Summer/Fall/Winter/Spring

Registration Requirement: RD090 and WR090, each with a grade of "C" or better; or placement above stated course levels.

This course is a survey of traditional and contemporary art forms with emphasis on the observer, the artist and the critic. Structured around basic design principles and the practice of learning to look, this course includes virtual field trips to museums and galleries. This course may include discussions of artists' materials, hands-on projects, historical genres, research, visual resources, gallery exhibits and trends.

ART215P Survey in Visual Arts: Photography

Credits 3Winter

Registration Requirement: RD090 and WR090, each with a grade of "C" or better; or placement above stated course levels.

This course is a survey of the history and structures of photography beginning at its inception in the late 18th century through to the present. This course emphasizes 20th century movements, theories and individuals and their influences on fine art, documentary and applied commercial photography.

Additional Course Fee: $10.00

ART219A Calligraphy - Bookhand

Credits 2Fall

This course is one of three courses that enables students to gain an understanding and technical competence of calligraphy. This course focuses on basic bookhand, plain and Roman capitals. Calligraphic layouts are developed.

Additional Course Fee: $20.00

ART219B Calligraphy - Italics

Credits 2Winter

This course is one of three courses that enables students to gain an understanding and technical competence of calligraphy. This course focuses on italics with a variety of capital forms. Calligraphic layouts are developed.

Additional Course Fee: $20.00

ART219C Calligraphy - Historical and Decorative Styles

Credits 2Summer/Spring

This course is one of three courses that enables students to gain an understanding and technical competence of calligraphy. This course focuses on a variety of historical styles and decorative hands. Calligraphic layouts are developed.

Additional Course Fee: $20.00

ART225 Adobe Illustrator: Digital Art

Credits 4Fall

Registration Requirement: RD090 with a grade of "C" or better; or placement above stated course levels.

This visual arts course introduces the art student to the use of Macintosh computers and a vector-based drawing program as a visualization tool and a fine art medium. An overview of the Macintosh operating system and working with a variety of peripheral devices is covered. Emphasis is placed on use of the computer as a fine art-making tool. Through applied projects, students learn how to use drawing tools, create paths, elemental graphic shapes, work with type and apply both color and gradient fills. Conceptual as well as technical issues are covered.

Additional Course Fee: $20.00

ART226 Adobe Photoshop: Digital Art

Credits 4Winter

Registration Requirement: RD090 and MTH020, each with a grade of "C" or better; or placement above stated course levels.

This visual arts course introduces the art student to the use of Macintosh computers and an image-editing program as a means to digitally manipulate photographs as well as create original images. Students learn how to work with a variety of peripheral hardware, evaluate appropriate free stock images and generate original art works. Emphasis is placed on use of the Macintosh computer as a fine art-making tool. Paint and drawing tools, filters, color mixing, selection methods, working with layers, and decisions about resolution are explored. Through assigned projects, students learn how to alter, improve, create and manage bitmap images. Conceptual as well as technical issues are covered.

Additional Course Fee: $20.00

ART231 Drawing I

Credits 4Summer/Fall/Winter/Spring

Drawing I serves as an introduction to the visual language through the traditional processes, tools, and materials used in the practice of drawing. The concepts of basic composition, formal elements of design, and material techniques are explored in conjunction with placement, scale, subject matter, pictorial balance, volume, value, mass, spatial depth, and hand-to-eye coordination. Critical thinking skills and design vocabulary are exercised in individual and group critiques addressing the integration of form with content. Discussions and presentations of drawing ideology expand the students' techniques and perceptions of themselves as artists within a historical and contemporary context. Sequential.

Additional Course Fee: $20.00

ART232 Drawing II

Credits 4Summer/Fall/Winter/Spring

Registration Requirement: ART231 or instructor consent.

This course is the second of a three-course sequence where the study of visual language is understood through the manipulation of a wider variety of drawing tools and supports, encouraging an exploration of process and content cohesion. Critiques challenge students to analyze their expressions by addressing issues inherent in visual language. Students are encouraged to begin and sustain the process of self-examination by dealing with diversified subject matter in both objective and non-objective idioms. Both individual and group criticisms, combined with discussions of drawing ideology, expand the students' perceptions of themselves as artists within a historical and contemporary context. Sequential.

Additional Course Fee: $20.00

ART233 Drawing III

Credits 4Summer/Fall/Winter/Spring

Registration Requirement: ART232 or instructor consent.

Drawing III is the final course of a three-course sequence, where the study of visual language is understood through the manipulation and the expansion of tools and materials used in the drawing medium. Drawing III addresses the issues dealing with the refinement of a portfolio that concentrates on the students' personal vision. In addition to previous drawing course objectives, Drawing III students study contemporary and historical art issues, cultural references, art genres, mixed media approaches, and color. Students in this course are expected to articulate outcomes and processes of their drawings through critiques to create a body of work. Sequential.

Additional Course Fee: $20.00

ART234 Life Drawing I

Credits 4Fall/Spring

Registration Requirement: None.

This course introduces the student to drawing the human form. Students follow drawing methods that lead to observational documentation of the human form's proportion, mass and structure. Students explore visual language elements of line and value as enhancements to structure, issues in light, perspective, surface anatomy and essential skeletal structures. Students are required to write in response to lecture material regarding the history of anatomy for artists. Sequential.

Additional Course Fee: $20.00

ART235 Life Drawing II

Credits 4Fall/Winter/Spring

Registration Requirement: ART234 or instructor consent.

This intermediate-level course is the second in a yearlong sequence in the study of the human form and anatomy for artists. This course builds upon ART234, delving deeper into studies of skeletal and muscular structure, and concentrates on the anterior and posterior views of the torso through overlay drawings. Extended studies investigate the potential of the human form as subject matter in explorations regarding color theory and composition. Students are required to write in response to lecture material regarding the history of anatomy for artists. Sequential.

Additional Course Fee: $20.00

ART236 Life Drawing III

Credits 4Fall/Winter/Spring

Registration Requirement: ART235 or instructor consent.

This is the third course in a yearlong sequence in the study of the human form and anatomy for artists. Students will continue skeletal and musculature studies including overlay drawings of the head, neck, arms and legs. Although students will continue to draw directly from the model in class, this course expands beyond the basic form and structure of the figure to discover conceptual, metaphorical and cultural narratives. Students develop drawings that exhibit a personal or expressive component beyond the classical descriptive studies done in ART234 and ART235. Proposals for extended studies are discussed in class and approved by the instructor. Students are required to write in response to reading material regarding the history of anatomy for artists. Students will apply visual metaphors within drawings to compare and contrast values and ethics in an every-changing community. Sequential.

Additional Course Fee: $20.00

ART240 Drawing: Cartooning I

Credits 4Fall/Winter/Spring

Registration Requirement: None, however ART231 is recommended.

This is an introductory course in the art of cartooning which covers character development and marketing for various types and formats of cartoons.

Additional Course Fee: $20.00

ART241 Drawing: Cartooning II

Credits 4Fall/Winter/Spring

Registration Requirement: ART240 is recommended.

Emphasis is on the use of Macintosh computer software and hardware in the design, development and production of cartoons. Generating ideas, refining compositions, hand-building and computer conversion are the major topics in this course, in addition to preparing files for printing.

Additional Course Fee: $20.00

ART254 Ceramics I

Credits 4Summer/Fall/Winter/Spring

Registration Requirement: None.

This introductory course is designed for the student with limited or no previous experience in pottery/ceramics. Students are introduced to the materials, tools and manipulative skills necessary to create both utilitarian and aesthetic three-dimensional art forms, with an emphasis on the vessel. Visual literacy is developed through a study and application of the principles and elements of design. Students create an equal balance of hand-built and wheel-thrown projects, utilize various techniques of decorating and glazing, and evaluate student and historical vessels. Basic press-molding techniques are introduced. The theory and practice in loading and firing the electric kiln is covered. ART254, ART255 and ART256 are sequential courses.

Additional Course Fee: $50.00

ART255 Ceramics II

Credits 4Summer/Fall/Winter/Spring

Registration Requirement: ART254. Recommended ART117.

This course is for the student with previous pottery/ceramics training. Students participate in an in-depth study of skill-building techniques, materials, tools, design, firing and glaze applications. Further visual literacy is developed through continuing study and application of the principles and elements of design. Students create an equal balance of both hand-built and wheel-thrown projects, utilize various techniques of decorating and glazing, and evaluate student and historical vessels. Emphasis is on the implementation of design elements and their application to pottery form. Decorating, glazing, kiln firing and glaze firing theory will be covered. ART254, ART255 and ART256 are sequential courses.

Additional Course Fee: $50.00

ART256 Ceramics III

Credits 4Summer/Fall/Winter/Spring

Registration Requirement: ART255. Recommended ART117.

This course is for the serious ceramics student with previous pottery/ceramics training in both throwing and hand-building techniques. Students are expected to demonstrate a proficiency in clay manipulation, sound development of vessel form and use of tools in the formation of three-dimensional visual images. Students learn to understand and recognize the role of visual and conceptual elements as they affect structure and form. They have the opportunity to evaluate various clay bodies, experiment with and test glaze formulations and participate in firing the glaze kilns. ART254, ART255 and ART256 are sequential courses.

Additional Course Fee: $50.00

ART257 Jewelrymaking/Metalsmithing I

Credits 4Summer/Fall/Winter/Spring

This introductory course, designed for the student with limited or no previous jewelry/metalsmithing experience, is a combination of applied design principles of an art class and metalsmithing/jewelry as an art medium. This course develops student design awareness and develops sound, step-by-step metals technique, design application, craftsmanship skills and expertise in the use of power equipment and hand tools related to art metal. Students become familiar with technical processes used by the professional jeweler and practicing artisan. ART257, ART258 and ART259 are sequential.

Additional Course Fee: $60.00

ART258 Jewelrymaking/Metalsmithing II

Credits 4Summer/Fall/Winter/Spring

Registration Requirement: ART257.

This course continues the study of applied design principles in metalsmithing and jewelrymaking, emphasizing original designs. Students continue to learn manipulative skills with hand tools and power equipment related to more advanced technical processes. Discussions of jewelry/art metal and how it relates to fashion design, as well as historical and contemporary implications are included. Students considering a career in the jewelry and metalsmithing trades receive practical guidelines for pursuing their profession. ART257, ART258 and ART259 are sequential.

Additional Course Fee: $60.00

ART259 Jewelrymaking/Metalsmithing III

Credits 4Summer/Fall/Winter/Spring

Registration Requirement: ART258.

Third-term students build on the skills acquired in the two preceding terms. Students are allowed more latitude in project selections, which incorporate several required advanced metalsmithing techniques. Students implement strategies in transferring applied design elements, manipulating tools and fabricating materials. This experience helps develop an insight on the process in order to successfully complete select areas of study. Students discuss and critique each other's work and discuss basic aesthetics of art metal design and construction, thus expanding the student's perception of themselves within a historical as well as contemporary context. In addition, students considering a career in the jewelry and metalsmithing trades receive practical guidelines for pursuing their profession. ART257, ART258 and ART259 are sequential.

Additional Course Fee: $60.00

ART260 Digital Photography and Imaging

Credits 4Fall/Winter/Spring

Registration Requirement: RD090, WR090 and MTH020, each with a grade of "C" or better; or placement above stated course levels.

This beginning digital photography course introduces the use of digital cameras and software for digital image processing and management. Students learn the fundamentals of exposure, composition, lighting and basic processing techniques for output to Web or external print services. Students are also introduced to software applications for image organization, adjustment and management.

Additional Course Fee: $40.00

ART261 Photography I

Credits 3Fall/Winter

Registration Requirement: RD090 and WR090, each with a grade of "C" or better; or placement above stated course levels. Adjustable film camera is necessary.

This beginning black and white film photography class emphasizes visual and technical proficiency using 35mm film cameras. Students become adept at in-camera exposure control, lighting, darkroom film processing and printing techniques as well as gain a solid foundation in design and composition.

Additional Course Fee: $60.00

ART262 Photography II

Credits 3Fall/Winter

Registration Requirement: ART261; or instructor consent. Adjustable film camera is necessary.

This intermediate black and white photography course is designed to build proficiency beyond basic camera and darkroom skills. Emphasis is placed on content, exposure, lighting, and darkroom practices that produce high quality images. Students create a photographic essay on a single topic for portfolio use. Advanced photographic processes and techniques are covered.

Additional Course Fee: $60.00

ART271 Printmaking I: Silkscreen and Woodcut

Credits 4Fall/Winter/Spring

This is the first in a three-course sequence of printmaking. This first level introduces the novice to the direct method of image design and transfer to a silkscreen and woodblock. Students learn to use visual language, cues, symbols and iconography to express their ideas. Students study pop culture in Silkscreen applications and Ukiyo-e print history. Students will blog regularly regarding class critiques using print and art terminology, print processes and analysis of visual translation. Sequential.

Additional Course Fee: $50.00

ART272 Printmaking II: Silkscreen, Woodcut, and Intaglio

Credits 4Fall/Winter/Spring

Registration Requirement: ART271 or instructor consent.

This is the second in a three-course sequence in printmaking. Students explore graphic communication in black and white relief, practice traditional Japanese carving and printing techniques, such as the sabitsuke cut, develop imagery in multiple blocks and continue silkscreen practices. Students will be introduced to the intaglio methods of dry point and etching in this second level. As in Printmaking I, students will use both the direct and indirect method of imagery development. Students will study the graphic appeal of the black and white print with an emphasis on German expressionism and Mexican revolutionary prints. Students blog regularly regarding class critiques using print and art terminology, processes and analysis of visual translation. Sequential.

Additional Course Fee: $50.00

ART273 Printmaking III

Credits 4Fall/Winter/Spring

Registration Requirement: ART272 or instructor consent.

This is the third term in a three-course sequence in printmaking. Students may continue to explore the rich visual potential in woodcut, working to perfect the Ukiyo-e carving technique of a thin raised black line. Students may continue to express their ideas using silkscreen methods and to explore additional methods in intaglio. Students are introduced to stone lithography in this third level. The emphasis in Printmaking III is to begin a personal exploration of imagery and to choose an area of interest within the scope of printmaking methods to complete their projects. Students build on their imagination, inventiveness and visual fluency. In addition, students explore the history of the print as an art form on a subject complimentary to their chosen area of printmaking. Students blog regularly regarding class critiques using print and art terminology, processes and analysis of visual translation. Sequential.

Additional Course Fee: $50.00

ART281 Painting I

Credits 4Summer/Fall/Winter/Spring

Registration Requirement: None.

In this beginning course, students learn techniques and visual language by using painting tools and materials. The primary concerns of this course are: the interaction of color, value, brushstroke, paint application, surface, composition, scale, pictorial balance, emphasis, and spatial depth. First, students explore mixing paint and color theory. After the basics of color, students explore different styles, painting applications, and techniques through observation including: impasto, glazing, grisaille, washes, scumble, dry-brush, realism, expressionism, and impressionism. Critical thinking is developed through individual and group critiques. These concepts, combined with discussions of painting ideology, critical analysis and study of practicing artists, are designed to expand students' creative voice within a historical and contemporary context. Sequential.

Additional Course Fee: $30.00

ART282 Painting II

Credits 4Summer/Fall/Winter/Spring

Registration Requirement: ART281. ART231 is recommended.

This is the second painting class of a three-course sequence. Course objectives are (1) to learn a higher mastery of the tools and materials of traditional and contemporary easel painting techniques; (2) to achieve a theoretical understanding of intermediate color theory, interaction and perception; and (3) to apply the above to the processes of painting. Critical thinking is developed through both individual and group critiques addressing the integration of form with content. Students explore diversified subject matter in both objective and non-objective idioms. Projects are designed to develop further painting techniques, employ mixed media, stimulate individual solutions, personal directions, and experimental approaches. Both individual and group criticisms, combined with discussions of painting ideology, expand the students' perceptions of themselves as artists within a historical and contemporary context. Sequential. Prerequisite: Art 281 Painting I.

Additional Course Fee: $30.00

ART283 Painting III

Credits 4Summer/Fall/Winter/Spring

Registration Requirement: ART282. ART231 is recommended.

This course is the third of a three-course sequence. Students address fundamental issues of contemporary painting that include abstraction, narratives, mixed media, and hybridity. Social and environmental issues are addressed through projects. Critical thinking is developed through both individual and group critiques addressing the integration of form with content. Students are encouraged to create a body of work using the process of self-exploration and self-examination by dealing with diversified subject matter in objective and non-objective idioms. Both individual and group criticisms, combined with discussions of painting ideology expand the students' perceptions of themselves as artists within a cultural, historical, and contemporary context. Sequential.

Additional Course Fee: $30.00

ART291 Sculpture I

Credits 4Summer/Fall/Winter/Spring

Registration Requirement: None, but ART117 is recommended.

This course is an introduction to the sculpture studio. Sculptural processes including abstract and representational modeling, portraiture modeling, silicon rubber mold-making, metal casting, kiln-formed glass casting, glass fusing, glass slumping and 3D printing are taught alongside contemporary sculptural concepts of form and content. Using materials such as plaster, ceramics (clay), wax, silicon rubber, casting plastic, casting foam, casting glass, paper and wire, students learn how material and process interrelate to create form. Students are given an introduction to sculptural ideas and history with a view toward developing a personal form of expression. Studio work is supplemented with practical demonstrations, image lectures, field trips and critical discussions. Sequential.

Additional Course Fee: $50.00

ART292 Sculpture II

Credits 4Summer/Fall/Winter/Spring

Registration Requirement: ART291.

This intermediate-level sculpture course is an introduction to the constructive techniques of the lost-wax metal casting process (bronze and aluminum), kiln form glass casting process, the figurative sculpture process and their applications to sculptural ideas and forms. Students are encouraged to continue developing their process-oriented technical skills learned from beginning in a variety of media. The development of a personal sculptural aesthetic is emphasized. Studio work is supplemented with practical demonstrations, slide lectures, field trips and critical discussions. Sequential.

Additional Course Fee: $50.00

ART293 Sculpture III

Credits 4Summer/Fall/Winter/Spring

Registration Requirement: ART292

This course is an advanced study of sculptural form, space and content. Students are introduced to figurative sculptural processes, kiln-formed glass casting processes, sculptural installation concepts. Working independently, students explore their own creative philosophy while sculpting in any medium including metal, wood, glass, ceramic, found objects, mixed media and digital. This course is also a continuation of the casting processes, with instruction in mold-making and casting techniques for bronze, aluminum and glass. Studio work is supplemented with practical demonstrations, slide lectures, field trips and critical discussions. Sequential.

Additional Course Fee: $50.00

ART294 Watercolor I

Credits 4Spring

Registration Requirement: None.

This introductory course in watercolor explores basic English transparent watercolor techniques and their uses. Emphasis is on the technical uses of the media utilizing a limited palette of color as well as composition, color theory and mixing, design elements and principles. Imagery includes still-life, landscape, figurative and abstract subject matter. Sequential.

Additional Course Fee: $20.00

ART296 Watercolor II

Credits 4Spring

Registration Requirement: ART294.

This is a course in watercolor painting that further explores transparent watercolor and its combination with other materials such as fabrics and painted papers as a means of expression and communication. Sequential.

Additional Course Fee: $20.00

ART297 Watercolor III

Credits 4Spring

Registration Requirement: ART296.

This advanced level class explores the creative potential of water-based media. The course includes experimental uses of non-traditional watercolor materials and their expressive potential. Students develop an extended personalized palette. They work independently under the direction of the instructor who encourages an individual direction in choices of subject matter, technique and materials. A primary goal of the course is the creation of a body of mature work suitable for portfolio presentation. Prerequisite: ART 296. Sequential.

Additional Course Fee: $20.00

Course fees are subject to change. Additional section fees (web, hybrid, etc.) may apply.

Course offered online

Cultural Literacy course